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The Grave By The Lake
By John Greenleaf Whittier
Where the Great Lake's sunny smiles
Dimple round its hundred isles,
And the mountain's granite ledge
Cleaves the water like a wedge,
Ringed about with smooth, gray stones,
Rest the giant's mighty bones.
Close beside, in shade and gleam,
Laughs and ripples Melvin stream;
Melvin water, mountain-born,
All fair flowers its banks adorn;
All the woodland's voices meet,
Mingling with its murmurs sweet.
Over lowlands forest-grown,
Over waters island-strown,
Over silver-sanded beach,
Leaf-locked bay and misty reach,
Melvin stream and burial-heap,
Watch and ward the mountains keep.
Who that Titan cromlech fills?
Forest-kaiser, lord o' the hills?
Knight who on the birchen tree
Carved his savage heraldry?
Priest o' the pine-wood temples dim,
Prophet, sage, or wizard grim?
Rugged type of primal man,
Grim utilitarian,
Loving woods for hunt and prowl,
Lake and hill for fish and fowl,
As the brown bear blind and dull
To the grand and beautiful:
Not for him the lesson drawn
From the mountains smit with dawn,
Star-rise, moon-rise, flowers of May,
Sunset's purple bloom of day,
Took his life no hue from thence,
Poor amid such affluence?
Haply unto hill and tree
All too near akin was he
Unto him who stands afar
Nature's marvels greatest are;
Who the mountain purple seeks
Must not climb the higher peaks.
Yet who knows in winter tramp,
Or the midnight of the camp,
What revealings faint and far,
Stealing down from moon and star,
Kindled in that human clod
Thought of destiny and God?
Stateliest forest patriarch,
Grand in robes of skin and bark,
What sepulchral mysteries,
What weird funeral-rites, were his?
What sharp wail, what drear lament,
Back scared wolf and eagle sent?
Now, whate'er he may have been,
Low he lies as other men;
On his mound the partridge drums,
There the noisy blue-jay comes;
Rank nor name nor pomp has he
In the grave's democracy.
Part thy blue lips, Northern lake!
Moss-grown rocks, your silence break!
Tell the tale, thou ancient tree!
Thou, too, slide-worn Ossipee!
Speak, and tell us how and when
Lived and died this king of men!
Wordless moans the ancient pine;
Lake and mountain give no sign;
Vain to trace this ring of stones;
Vain the search of crumbling bones
Deepest of all mysteries,
And the saddest, silence is.
Nameless, noteless, clay with clay
Mingles slowly day by day;
But somewhere, for good or ill,
That dark soul is living still;
Somewhere yet that atom's force
Moves the light-poised universe.
Strange that on his burial-sod
Harebells bloom, and golden-rod,
While the soul's dark horoscope
Holds no starry sign of hope!
Is the Unseen with sight at odds?
Nature's pity more than God's?
Thus I mused by Melvin's side,
While the summer eventide
Made the woods and inland sea
And the mountains mystery;
And the hush of earth and air
Seemed the pause before a prayer,
Prayer for him, for all who rest,
Mother Earth, upon thy breast,
Lapped on Christian turf, or hid
In rock-cave or pyramid
All who sleep, as all who live,
Well may need the prayer, "Forgive!"
Desert-smothered caravan,
Knee-deep dust that once was man,
Battle-trenches ghastly piled,
Ocean-floors with white bones tiled,
Crowded tomb and mounded sod,
Dumbly crave that prayer to God.
Oh, the generations old
Over whom no church-bells tolled,
Christless, lifting up blind eyes
To the silence of the skies!
For the innumerable dead
Is my soul disquieted.
Where be now these silent hosts?
Where the camping-ground of ghosts?
Where the spectral conscripts led
To the white tents of the dead?
What strange shore or chartless sea
Holds the awful mystery?
Then the warm sky stooped to make
Double sunset in the lake;
While above I saw with it,
Range on range, the mountains lit;
And the calm and splendor stole
Like an answer to my soul.
Hear'st thou, O of little faith,
What to thee the mountain saith,
What is whispered by the trees?
Cast on God thy care for these;
Trust Him, if thy sight be dim
Doubt for them is doubt of Him.
"Blind must be their close-shut eyes
Where like night the sunshine lies,
Fiery-linked the self-forged chain
Binding ever sin to pain,
Strong their prison-house of will,
But without He waiteth still.
"Not with hatred's undertow
Doth the Love Eternal flow;
Every chain that spirits wear
Crumbles in the breath of prayer;
And the penitent's desire
Opens every gate of fire.
"Still Thy love, O Christ arisen,
Yearns to reach these souls in prison!
Through all depths of sin and loss
Drops the plummet of Thy cross!
Never yet abyss was found
Deeper than that cross could sound!"
Therefore well may Nature keep
Equal faith with all who sleep,
Set her watch of hills around
Christian grave and heathen mound,
And to cairn and kirkyard send
Summer's flowery dividend.
Keep, O pleasant Melvin stream,
Thy sweet laugh in shade and gleam
On the Indian's grassy tomb
Swing, O flowers, your bells of bloom!
Deep below, as high above,
Sweeps the circle of God's love.
. . . . .
He paused and questioned with his eye
The hearers' verdict on his song.
A low voice asked: Is 't well to pry
Into the secrets which belong
Only to God? The life to be
Is still the unguessed mystery
Unsealed, unpierced the cloudy walls remain,
We beat with dream and wish the soundless doors in vain.
"But faith beyond our sight may go."
He said: "The gracious Fatherhood
Can only know above, below,
Eternal purposes of good.
From our free heritage of will,
The bitter springs of pain and ill
Flow only in all worlds. The perfect day
Of God is shadowless, and love is love alway."
"I know," she said, "the letter kills;
That on our arid fields of strife
And heat of clashing texts distils
The clew of spirit and of life.
But, searching still the written Word,
I fain would find, Thus saith the Lord,
A voucher for the hope I also feel
That sin can give no wound beyond love's power to heal."
"Pray," said the Man of Books, "give o'er
A theme too vast for time and place.
Go on, Sir Poet, ride once more
Your hobby at his old free pace.
But let him keep, with step discreet,
The solid earth beneath his feet.
In the great mystery which around us lies,
The wisest is a fool, the fool Heaven-helped is wise."
The Traveller said: "If songs have creeds,
Their choice of them let singers make;
But Art no other sanction needs
Than beauty for its own fair sake.
It grinds not in the mill of use,
Nor asks for leave, nor begs excuse;
It makes the flexile laws it deigns to own,
And gives its atmosphere its color and its tone.
"Confess, old friend, your austere school
Has left your fancy little chance;
You square to reason's rigid rule
The flowing outlines of romance.
With conscience keen from exercise,
And chronic fear of compromise,
You check the free play of your rhymes, to clap
A moral underneath, and spring it like a trap."
The sweet voice answered: "Better so
Than bolder flights that know no check;
Better to use the bit, than throw
The reins all loose on fancy's neck.
The liberal range of Art should be
The breadth of Christian liberty,
Restrained alone by challenge and alarm
Where its charmed footsteps tread the border land of harm.
"Beyond the poet's sweet dream lives
The eternal epic of the man.
He wisest is who only gives,
True to himself, the best he can;
Who, drifting in the winds of praise,
The inward monitor obeys;
And, with the boldness that confesses fear,
Takes in the crowded sail, and lets his conscience steer.
"Thanks for the fitting word he speaks,
Nor less for doubtful word unspoken;
For the false model that he breaks,
As for the moulded grace unbroken;
For what is missed and what remains,
For losses which are truest gains,
For reverence conscious of the Eternal eye,
And truth too fair to need the garnish of a lie."
Laughing, the Critic bowed. "I yield
The point without another word;
Who ever yet a case appealed
Where beauty's judgment had been heard?
And you, my good friend, owe to me
Your warmest thanks for such a plea,
As true withal as sweet. For my offence
Of cavil, let her words be ample recompense."
Across the sea one lighthouse star,
With crimson ray that came and went,
Revolving on its tower afar,
Looked through the doorway of the tent.
While outward, over sand-slopes wet,
The lamp flashed down its yellow jet
On the long wash of waves, with red and green
Tangles of weltering weed through the white foam-wreaths seen.
"Sing while we may, another day
May bring enough of sorrow;' thus
Our Traveller in his own sweet lay,
His Crimean camp-song, hints to us,"
The lady said. "So let it be;
Sing us a song," exclaimed all three.
She smiled: "I can but marvel at your choice
To hear our poet's words through my poor borrowed voice."
. . . . .
Her window opens to the bay,
On glistening light or misty gray,
And there at dawn and set of day
In prayer she kneels.
"Dear Lord!" she saith, "to many a borne
From wind and wave the wanderers come;
I only see the tossing foam
Of stranger keels.
"Blown out and in by summer gales,
The stately ships, with crowded sails,
And sailors leaning o'er their rails,
Before me glide;
They come, they go, but nevermore,
Spice-laden from the Indian shore,
I see his swift-winged Isidore
The waves divide.
"O Thou! with whom the night is day
And one the near and far away,
Look out on yon gray waste, and say
Where lingers he.
Alive, perchance, on some lone beach
Or thirsty isle beyond the reach
Of man, he hears the mocking speech
Of wind and sea.
"O dread and cruel deep, reveal
The secret which thy waves conceal,
And, ye wild sea-birds, hither wheel
And tell your tale.
Let winds that tossed his raven hair
A message from my lost one bear,
Some thought of me, a last fond prayer
Or dying wail!
"Come, with your dreariest truth shut out
The fears that haunt me round about;
O God! I cannot bear this doubt
That stifles breath.
The worst is better than the dread;
Give me but leave to mourn my dead
Asleep in trust and hope, instead
Of life in death!"
It might have been the evening breeze
That whispered in the garden trees,
It might have been the sound of seas
That rose and fell;
But, with her heart, if not her ear,
The old loved voice she seemed to hear
"I wait to meet thee: be of cheer,
For all is well!"
. . . . .
The sweet voice into silence went,
A silence which was almost pain
As through it rolled the long lament,
The cadence of the mournful main.
Glancing his written pages o'er,
The Reader tried his part once more;
Leaving the land of hackmatack and pine
For Tuscan valleys glad with olive and with vine
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