Public Domain Poetry And Stories - Pippa Passes: Part III: Evening by Robert Browning
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Pippa Passes: Part III: Evening

    By Robert Browning



    Scene. Inside the Turret on the Hill above Asolo. Luigi and his Mother entering.


    Mother
    If there blew wind, you'd hear a long sigh, easing
    The utmost heaviness of music's heart.


    Luigi
    Here in the archway?


    Mother
    Oh no, no in farther,
    Where the echo is made, on the ridge.


    Luigi
    Here surely, then.
    How plain the tap of my heel as I leaped up!
    Hark "Lucius Junius!" The very ghost of a voice
    Whose body is caught and kept by . . . what are those?
    Mere withered wallflowers, waving overhead?
    They seem an elvish group with thin bleached hair
    That lean out of their topmost fortress look
    And listen, mountain men, to what we say,
    Hand under chin of each grave earthy face.
    Up and show faces all of you! "All of you!"
    That's the king dwarf with the scarlet comb; old Franz,
    Come down and meet your fate? Hark "Meet your fate!"


    Mother
    Let him not meet it, my Luigi do not
    Go to his City! Putting crime aside,
    Half of these ills of Italy are feigned:
    Your Pellicos and writers for effect,
    Write for effect.


    Luigi
    Hush! Say A. writes, and B.


    Mother
    These A.s and B.s write for effect, I say.
    Then, evil is in its nature loud, while good
    Is silent; you hear each petty injury,
    None of his virtues; he is old beside,
    Quiet and kind, and densely stupid. Why
    Do A. and B. not kill him themselves?


    Luigi
    They teach
    Others to kill him me and, if I fail,
    Others to succeed; now, if A. tried and failed,
    I could not teach that: mine's the lesser task.
    Mother, they visit night by night . . .


    Mother
    You, Luigi?
    Ah, will you let me tell you what you are?


    Luigi
    Why not? Oh, the one thing you fear to hint,
    You may assure yourself I say and say
    Ever to myself! At times nay, even as now
    We sit I think my mind is touched, suspect
    All is not sound: but is not knowing that,
    What constitutes one sane or otherwise?
    I know I am thus so, all is right again.
    I laugh at myself as through the town I walk.
    And see men merry as if no Italy
    Were suffering; then I ponder "I am rich,
    "Young, healthy; why should this fact trouble me,
    "More than it troubles these?" But it does trouble.
    No, trouble's a bad word: for as I walk
    There's springing and melody and giddiness,
    And old quaint turns and passages of my youth,
    Dreams long forgotten, little in themselves,
    Return to me whatever may amuse me:
    And earth seems in a truce with me, and heaven
    Accords with me, all things suspend their strife,
    The very cicala laughs "There goes he, and there!
    "Feast him, the time is short; he is on his way
    "For the world's sake: feast him this once, our friend!"
    And in return for all this, I can trip
    Cheerfully up the scaffold-steps. I go
    This evening, mother!


    Mother
    But mistrust yourself
    Mistrust the judgment you pronounce on him!


    Luigi
    Oh, there I feel am sure that I am right!


    Mother
    Mistrust your judgment then, of the mere means
    To this wild enterprise. Say, you are right,
    How should one in your state e'er bring to pass
    What would require a cool head, a cold heart,
    And a calm hand? You never will escape.


    Luigi
    Escape? To even wish that, would spoil all.
    The dying is best part of it. Too much
    Have I enjoyed these fifteen years of mine,
    To leave myself excuse for longer life:
    Was not life pressed down, running o'er with joy,
    That I might finish with it ere my fellows
    Who, sparelier feasted, make a longer stay?
    I was put at the board-head, helped to all
    At first; I rise up happy and content.
    God must be glad one loves his world so much.
    I can give news of earth to all the dead
    Who ask me: last year's sunsets, and great stars
    Which had a right to come first and see ebb
    The crimson wave that drifts the sun away
    Those crescent moons with notched and burning rims
    That strengthened into sharp fire, and there stood,
    Impatient of the azure and that day
    In March, a double rainbow stopped the storm
    May's warm slow yellow moonlit summer nights
    Gone are they, but I have them in my soul!


    Mother
    (He will not go!)


    Luigi
    You smile at me? 'T is true,
    Voluptuousness, grotesqueness, ghastliness,
    Environ my devotedness as quaintly
    As round about some antique altar wreathe
    The rose festoons, goats' horns, and oxen's skulls.


    Mother
    See now: you reach the city, you must cross
    His threshold how?


    Luigi
    Oh, that's if we conspired!
    Then would come pains in plenty, as you guess
    But guess not how the qualities most fit
    For such an office, qualities I have,
    Would little stead me, otherwise employed,
    Yet prove of rarest merit only here.
    Every one knows for what his excellence
    Will serve, but no one ever will consider
    For what his worst defect might serve: and yet
    Have you not seen me range our coppice yonder
    In search of a distorted ash? I find
    The wry spoilt branch a natural perfect bow.
    Fancy the thrice-sage, thrice-precautioned man
    Arriving at the palace on my errand!
    No, no! I have a handsome dress packed up
    White satin here, to set off my black hair;
    In I shall march for you may watch your life out
    Behind thick walls, make friends there to betray you;
    More than one man spoils everything. March straight
    Only, no clumsy knife to fumble for.
    Take the great gate, and walk (not saunter) on
    Thro' guards and guards I have rehearsed it all
    Inside the turret here a hundred times.
    Don't ask the way of whom you meet, observe!
    But where they cluster thickliest is the door
    Of doors; they'll let you pass they'll never blab
    Each to the other, he knows not the favourite,
    Whence he is bound and what's his business now.
    Walk in straight up to him; you have no knife:
    Be prompt, how should he scream? Then, out with you!
    Italy, Italy, my Italy!
    You're free, you're free! Oh mother, I could dream
    They got about me Andrea from his exile,
    Pier from his dungeon, Gualtier from his grave!


    Mother
    Well, you shall go. Yet seems this patriotism
    The easiest virtue for a selfish man
    To acquire: he loves himself and next, the world
    If he must love beyond, but nought between:
    As a short-sighted man sees nought midway
    His body and the sun above. But you
    Are my adored Luigi, ever obedient
    To my least wish, and running o'er with love:
    I could not call you cruel or unkind.
    Once more, your ground for killing him! then go!


    Luigi
    Now do you try me, or make sport of me?
    How first the Austrians got these provinces . . .
    (If that is all, I'll satisfy you soon)
    Never by conquest but by cunning, for
    That treaty whereby . . .


    Mother
    Well?


    Luigi
    (Sure, he's arrived,
    The tell-tale cuckoo: spring's his confidant,
    And he lets out her April purposes!)
    Or . . . better go at once to modern time,
    He has . . . they have . . . in fact, I understand
    But can't restate the matter; that's my boast:
    Others could reason it out to you, and prove
    Things they have made me feel.


    Mother
    Why go to-night?
    Morn's for adventure. Jupiter is now
    A morning-star. I cannot hear you, Luigi!


    Luigi
    "I am the bright and morning-star," saith God
    And, "to such an one I give the morning-star.
    The gift of the morning-star! Have I God's gift
    Of the morning-star?


    Mother
    Chiara will love to see
    That Jupiter an evening-star next June.


    Luigi
    True, mother. Well for those who live through June!
    Great noontides, thunder-storms, all glaring pomps
    That triumph at the heels of June the god
    Leading his revel through our leafy world.
    Yes, Chiara will be here.


    Mother
    In June: remember,
    Yourself appointed that month for her coming.


    Luigi
    Was that low noise the echo?


    Mother
    The night-wind.
    She must be grown with her blue eyes upturned
    As if life were one long and sweet surprise:
    In June she comes.


    Luigi
    We were to see together
    The Titian at Treviso. There, again!



    [From without is heard the voice of Pippa, singing ]


    A king lived long ago,
    In the morning of the world,
    When earth was nigher heaven than now:
    And the king's locks curled,
    Disparting o'er a forehead full
    As the milk-white space 'twixt horn and horn
    Of some sacrificial bull
    Only calm as a babe new-born:
    For he was got to a sleepy mood,
    So safe from all decrepitude,
    Age with its bane, so sure gone by,
    (The gods so loved him while he dreamed)
    That, having lived thus long, there seemed
    No need the king should ever die.


    Luigi
    No need that sort of king should ever die!


    Among the rocks his city was:
    Before his palace, in the sun,
    He sat to see his people pass,
    And judge them every one
    From its threshold of smooth stone.
    They haled him many a valley-thief
    Caught in the sheep-pens, robber-chief
    Swarthy and shameless, beggar-cheat,
    Spy-prowler, or rough pirate found
    On the sea-sand left aground;
    And sometimes clung about his feet,
    With bleeding lip and burning cheek,
    A woman, bitterest wrong to speak
    Of one with sullen thickset brows:
    And sometimes from the prison-house
    The angry priests a pale wretch brought,
    Who through some chink had pushed and pressed
    On knees and elbows, belly and breast,
    Worm-like into the temple, caught
    He was by the very god,
    Who ever in the darkness strode
    Backward and forward, keeping watch
    O'er his brazen bowls, such rogues to catch!
    These, all and every one,
    The king judged, sitting in the sun.


    Luigi
    That king should still judge sitting in the sun!


    His councillors, on left and right,
    Looked anxious up, but no surprise
    Disturbed the king's old smiling eyes
    Where the very blue had turned to white.
    'T is said, a Python scared one day
    The breathless city, till he came,
    With forky tongue and eyes on flame
    Where the old king sat to judge alway,
    But when he saw the sweepy hair
    Girt with a crown of berries rare
    Which the god will hardly give to wear
    To the maiden who singeth, dancing bare
    In the altar-smoke by the pine-torch lights,
    At his wondrous forest rites,
    Seeing this, he did not dare
    Approach that threshold in the sun,
    Assault the old king smiling there.
    Such grace had kings when the world begun!


    [Pippa passes]


    Luigi

    And such grace have they, now that the world ends!
    The Python at the city, on the throne,
    And brave men, God would crown for slaying him,
    Lurk in bye-corners lest they fall his prey.
    Are crowns yet to be won in this late time,
    Which weakness makes me hesitate to reach?
    'T is God's voice calls: how could I stay? Farewell!


    Talk by the way, while Pippa is passing from the Turret to the Bishop's Brother's House, close to the Duomo S. Maria. PoorGirls sitting on the steps.


    1st Girl
    There goes a swallow to Venice the stout seafarer!
    Seeing those birds fly, makes one wish for wings.
    Let us all wish; you wish first!


    2nd Girl
    I? This sunset
    To finish.


    3rd Girl
    That old somebody I know,
    Greyer and older than my grandfather,
    To give me the same treat he gave last week
    Feeding me on his knee with fig-peckers,
    Lampreys and red Breganze-wine, and mumbling
    The while some folly about how well I fare,
    Let sit and eat my supper quietly:
    Since had he not himself been late this morning
    Detained at never mind where, had he not . . .
    "Eh, baggage, had I not!"


    2nd Girl
    How she can lie!


    3rd Girl
    Look there by the nails!


    2nd Girl.
    What makes your fingers red?


    3rd Girl
    Dipping them into wine to write bad words with
    On the bright table: how he laughed!


    1st Girl
    My turn.
    Spring's come and summer's coming. I would wear
    A long loose gown, down to the feet and hands,
    With plaits here, close about the throat, all day;
    And all night lie, the cool long nights, in bed;
    And have new milk to drink, apples to eat,
    Deuzans and junetings, leather-coats . . ah, I should say,
    This is away in the fields miles!



    3rd Girl
    Say at once
    You'd be at home: she'd always be at home!
    Now comes the story of the farm among
    The cherry orchards, and how April snowed
    White blossoms on her as she ran. Why, fool,
    They've rubved the chalk-mark out, how tall you were
    Twisted your starling's neck, broken his cage,
    Made a dung-hill of your garden!


    1st Girl
    They, destroy
    My garden since I left them? well perhaps!
    I would have done so: so I hope they have!
    A fig-tree curled out of our cottage wall;
    They called it mine, I have forgotten why,
    It must have been there long ere I was born:
    Cric cric I think I hear the wasps o'erhead
    Pricking the papers strung to flutter there
    And keep off birds in fruit-time coarse long papers,
    And the wasps eat them, prick them through and through.


    3rd Girl
    How her mouth twitches! Where was I? before
    She broke in with her wishes and long gowns
    And wasps would I be such a fool! Oh, here!
    This is my way: I answer every one
    Who asks me why I make so much of him
    (If you say, "you love him" straight "he'll not be gulled!")
    "He that seduced me when I was a girl
    "Thus high had eyes like yours, or hair like yours,
    "Brown, red, white," as the case may be: that pleases!
    See how that beetle burnishes in the path!
    There sparkles he along the dust: and, there
    Your journey to that maize-tuft spoiled at least!


    1st Girl
    When I was young, they said if you killed one
    Of those sunshiny beetles, that his friend
    Up there, would shine no more that day nor next.


    2nd Girl
    When you were young? Nor are you young, that's true.
    How your plump arms, that were, have dropped away!
    Why, I can span them. Cecco beats you still?
    No matter, so you keep your curious hair.
    I wish they'd find a way to dye our hair
    Your colour any lighter tint, indeed,
    Than black: the men say they are sick of black,
    Black eyes, black hair!


    4th Girl
    Sick of yours, like enough.
    Do you pretend you ever tasted lampreys
    And ortolans? Giovita, of the palace,
    Engaged (but there's no trusting him) to slice me
    Polenta with a knife that had cut up
    An ortolan.


    2nd Girl
    Why, there! Is not that Pippa
    We are to talk to, under the window, quick,
    Where the lights are?


    1st Girl
    That she? No, or she would sing.
    For the Intendant said . . .


    3rd Girl
    Oh, you sing first!
    Then, if she listens and comes close . . I'll tell you,
    Sing that song the young English noble made,
    Who took you for the purest of the pure,
    And meant to leave the world for you what fun!


    2nd Girl
    [sings]



    You'll love me yet! and I can tarry
    Your love's protracted growing:
    June reared that bunch of flowers you carry,
    From seeds of April's sowing.


    I plant a heartful now: some seed
    At least is sure to strike,
    And yield what you'll not pluck indeed,
    Not love, but, may be, like.


    You'll look at least on love's remains,
    A grave's one violet:
    Your look? that pays a thousand pains.
    What's death? You'll love me yet!


    3rd Girl
    [to Pippa who approaches]



    Oh, you may come closer we shall not eat you! Why, you seem the very person that the great rich handsome Englishman has fallen so violently in love with. I'll tell you all about it.



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